this novel paints a vivid spring morning where little Juki plays beneath a plum tree, gets into mischief, and—after a dramatic scuffle over a bird and a cat—meets the American boy Dick Merrit, who stops her from throwing the cat into a canal and wins her trust. A chapter on the Doll Festival introduces her modest home, loving but aging parents, and the origins of her name (born in snow), emphasizing maternal devotion and Buddhist piety. Twelve years later, Yuki returns from a mission school, shouldering household burdens amid growing poverty while social custom prevents her from working; her father arranges her marriage to the well‑placed Saito. A letter arrives from Richard, now grown, asking to lodge with her family, which brings money and joy; Yuki prepares the house and hosts him for two happy months of language lessons and gentle flirtation. In a tender farewell scene—goldfish fed, a butterfly warmed, and a brief talk about God versus Buddha—Richard departs for home, leaving Yuki quietly heart‑sore but resolute. The section closes as she turns to preparations for her first meeting with Saito. (This is an automatically generated summary.)